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-- SGA President speaks to
Congress about financial facts of songwriting career.
-- Read about the SGA's history of service to songwriters.
 
 

SGA President Speaks to Congress About
Financial Facts of Life for American Songwriters

SGA President Rick Carnes recently spoke before Congress about legislation affecting the earning potential of songwriters. Debunking the myth that songwriters and others associated with the music industry are wealthy enough to survive copyright infringement and loss of royalties from Internet and other digital piracy, Carnes explained to congress the reality of the financial situation of working songwriters.

In his speech before Congress, Carnes explained:

"I am reminded constantly of the perilous existence that all of us who have chosen songwriting as a profession labor under daily. Let me give you the painful facts. When I was a young songwriter, like every aspiring music creator I dreamed of having one of my songs on a million selling album. That, I imagined, would be the very pinnacle of success, assuring my financial security. A closer look at the real numbers illustrates just how naïve I was to place my faith in the current system.

Under the present compulsory licensing provisions, a songwriter is to receive 9.1 cents per song on any CD (“phonorecord”) manufactured and distributed, or legally downloaded, in the United States. So, if one of my songs appears on a million selling album, I am theoretically due $91,000 by statute. However, I split that money half and half with my music publisher by contract. That leaves me $45,500. Then I must split that in half again with the recording artist who co-wrote the song with me, leaving me with $22,750. Practically every artist now co-writes every song on his or her album with the primary songwriter, because the record labels have included a controlled composition clause in every new artist's contract that makes it financially ruinous for the artist to record more than one or two tracks that he or she did not co-write. The reason the record companies do this is so they can pay the artist, and his or her co-writer, 75% of the statutory mechanical royalty rate. Because of the controlled composition clause, and with transaction costs deducted, my royalty income is reduced by thousands more dollars. Thus, after all is said and done, I end up making less than $17,000 for having a song on a million selling CD. Of course, given that the retail charge to consumers for a CD may be as high as $18, a million sales will generate up to $18 million for someone."

Download complete speech, here.

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